GAME OF NO GAMES

Instructions for Walking in High Spirits

Symposium 11.2.23

Games of No Games – Symposium

Saturday, 11.2.23, 10:30 am – 5 pm

with Lisa Arndt, Nikola Dietrich, Andreas Fischer, Amelie Gappa, Charlotte Laubard, Kito Nedo, Nadine Oberste-Hetbleck, Susanne Pfeffer, Falk Wolf and Susanne Zander.

More information coming soon!

The Painters of the Sacred Heart

at the Böttcherstrasse Museums, Bremen

3.12.22 – 12.3.23

André Bauchant | Camille Bombois | Séraphine Louis | Henri Rousseau | Louis Vivin

The Painters of the Sacred Heart is on view at Paula Modersohn-Becker Museum, Bremen, from December 3, 2022 until March 12, 2023. Curated by Udo Kittelmann and organized with Dr. Henrike Hans.

The exhibition is a collaboration with Museum Frieder Burda, Baden-Baden, the Böttcherstraße Museums, Bremen and the Zander Collection.
 
Exhibition catalogue:
Die Maler des Heiligen Herzens I The Painters of the Sacred Heart
André Bauchant, Camille Bombois, Séraphine Louis, Henri Rousseau, Louis Vivin
Texts by Udo Kittelmann, Frank Schmidt, Henrike Hans, Annabel Ruckdeschel
Hatje Cantz Verlag, 2022

GAME OF NO GAMES

Anleitung zu beschwingtem Gehen (Instructions for Walking in High Spirits)

13.11.22 – 5.3.23

Adelhyd van Bender | Klaus Beyer | Lee Godie | Helga Sophia Goetze | Margarethe Held | Dietrich Orth | Albert Leo Peil | Rabe perplexum | William Scott | Wendy Vainity | August Walla

Curated by Nikola Dietrich and Susanne Zander

Opening: Saturday, 12.11.22, 7 pm

This exhibition presents historical and contemporary works by artists who have received little attention throughout art history. Their participation in society and the art world has been limited—as a result of conservatorships, disenfranchisement, or discrimination, to name a few. This is closely associated with the lack of stable institutional footholds or larger (art) networks and support systems. Conventional categorizations, such as Outsider Art or Art Brut, along with the concurrent emphasis on their alleged distinguishing characteristics—which have so far often been read as narratives on the spontaneous vs. planned, innate vs. learned, naïve vs. sophisticated, or even primitive vs. modern—are currently considered outdated and must be critically challenged. Accordingly, this exhibition intends to encourage a different understanding concerning established ways of thinking in the art world, as well as consolidate an approach to exhibiting and representing different artistic practices that is more readily assimilated.

Through their works, the artists on view at the Kölnischer Kunstverein immerse themselves in self-alienating role-playing games. They can thus take on different identities and undergo a kind of metamorphosis—to the point of becoming animals. “I’m a frigging hunter, but I know that it causes trouble… I have to mask it [what is troublesome] so that I can continue to exist in society at all,” the artist Rabe perplexum declared (in Experimente, Der unbekannte Künstler, 1987). In both her works and life, she adopted a raven persona.

Our aim is not to place the exhibited artists and their artistic practices in the margins of society, nor to portray them as artists that unveil repressed realities or develop suppressed longings behind their apparent detachment from the world. Rather, this exhibition explores how they deliberately work with their dependencies. Adelhyd van Bender, for instance, designed a large and complex body of work that breaks the world into mathematical formulas. Intertwining these with biographical details in associative chains, his practice builds a new order. As a model for his drawings, which were copied and revised several times, he often used letters addressed to him from official authorities, which testified to his constant struggle against the prolongation of his conservatorship.

These artists have often positioned themselves within society, precisely in the non-places of art and interstitial spaces where a larger public could be found, so as to relate to this community and criticize it with a matter-of-factness that is peculiar to each of them. By leaving behind social conventions, norms, and dominant traditions, as well as undermining social or gender performances, these artists have frequently been met with a lack of understanding. This was certainly the case for Helga Goetze, who broke away from a conventional way of life in the 1970s and later advocated free love, sex, and female pleasure almost daily in front of the Memorial Church in Berlin.

The radical potential of the works gathered here resides in the fact that they insist on unfulfilled socio-political promises and, as Dietrich Orth hints at in one of his works that gives the exhibition its title, provide instructions and suggestions for a better, fairer way of treating one another. They manifest a profound longing directed toward the future—something that can also be understood as a critique of the present.

The Painters of the Sacred Heart at Museum Frieder Burda

16.7. – 20.11.22

André Bauchant | Camille Bombois | Séraphine Louis | Henri Rousseau | Louis Vivin

Museum Frieder Burda, Baden-Baden, presents The Painters of the Sacred Heart. The exhibition, curated by Udo Kittelmann, is on view from July 16 until November 20, 2022.

With the exception of Henri Rousseau, whose work found influential supporters early on, the complex oeuvres of the five artists in the exhibition are still largely unknown to wider audiences. Over the decades, they have been branded “naïfs,” identified as exponents of a nascent modern primitivism, and finally labeled “outsider artists.” The new exhibition now places their output in a different context, framing them as early critics of modernism.

Primarily based on selected works from the collection of Charlotte Zander, who unerringly pursued her personal vision, collecting art beyond the systematically organized canon, the exhibition presents the works of these outstanding and widely underappreciated artists, the “Painters of the Sacred Heart,” in unprecedented breadth.

The exhibition was organized in cooperation with Museen Böttcherstraße, Bremen, where it will subsequently be on view from December 3, 2022, until March 12, 2023.

The following catalogue is released in conjunction with the exhibition:

Die Maler des Heiligen Herzens / The Painters of the Sacred Heart
André Bauchant, Camille Bombois, Séraphine Louis, Henri Rousseau, Louis Vivin
Writings by Udo Kittelmann, Frank Schmidt, Henrike Hans, Annabel Ruckdeschel
Hatje Cantz Verlag, 2022